IZILMorocco

7 regions

Destinations

Morocco does not divide neatly into seven. This is a working division rather than an official one — the set of landscapes the routes are actually assembled out of, which is the only division a traveller needs.

0119 routes come through

The Sahara

Erg Chebbi, and the flat black nothing you cross to reach it.

Five saddled camels silhouetted in a line along a dune ridge at sunset, their shadows thrown down the smooth face of the dune below.

Morocco has two sand seas that a vehicle can reach, and Erg Chebbi is the one worth the drive. It is not vast by Saharan standards — you can see across it — but it stands straight up out of flat, dark hammada with no foothills and no warning, which no photograph has ever managed to convey.

The conventional way in is on camelback in the late afternoon, over the first ridges to a camp pitched where the wind cannot reach. What actually stays with people is not the ride: it is the silence after dinner, and the fact that the sky at that latitude, with no town for an hour in any direction, has depth to it.

Every desert route funnels through the same last stretch — Erfoud, Rissani, then the tarmac stops. What differs is what you saw on the way.

More of The Sahara

  • Three white canvas tents pitched at the foot of a dune at dusk, brass lanterns burning at their doors, and a camel train crossing the ridge above them.
  • A dozen people sitting cross-legged around a fire on the sand with hand drums, canvas tents lit from within behind them, and the Milky Way arching overhead.
  • The sun breaking over a high dune ridge, a single figure standing on the crest against it, and a camel train crossing the sand far to the left.
  • Wind-carved dunes running to a horizon of black volcanic rock, with a single vehicle track crossing the sand.

026 routes come through

The High Atlas

The wall between Marrakech and everything south of it.

A village of flat-roofed earth houses stacked up a bare hillside, a snow-covered summit catching the last light behind it.

The High Atlas is the reason the south of Morocco looks nothing like the north. It runs the whole width of the country, it holds snow into May, and until the Tizi n’Tichka was cut through it the only way across was on foot with a mule.

It is also where Amazigh Morocco is least diluted. The valleys on both flanks are farmed in terraces that are worked by hand because nothing else fits between the walls, and the villages are built from the ground they stand on — flat-roofed, earth-coloured, close to invisible until you are inside them.

Most routes cross it in a morning. Imlil is what it looks like when you stop.

More of The High Atlas

  • A stone-walled lane paved with flagstones running between old olive trees towards flat-roofed earth houses, with a snow-covered peak above them catching the first orange light of the day.
  • A tarmac road folding through three hairpins down a steep ochre mountainside, two white minibuses on the bends, and a village of earth-built houses terraced into the valley below.
  • A long snow-covered range standing over a bare tan plain, with an apple orchard in the foreground and a line of white tents pitched between the two.

0320 routes come through

The kasbah valleys

Dades, Todra, Draa, Skoura — the oases strung along the south side.

An earth-built kasbah with decorated corner towers standing above a dense date palmery, the whole of it reflected in still water in the foreground.

South of the Atlas the rivers run out of the mountains and die in the desert, and everything human happens in the narrow green line in between. That line is where the kasbahs are: fortified earth houses with tapering towers and incised brick panels, built by families rather than kings, and mostly built to keep other families out.

The Dades and the Todra cut back north into the rock, and both are worth walking rather than driving through — the Todra because the walls go up further than you can see from a car, the Dades because of the smooth red formations standing over the oasis like a set of knuckles. Between them the valley floor is roses, and in May the whole of it smells like it.

Skoura is the quietest of them and the best: a palmery with kasbahs still inside it, several still lived in.

More of The kasbah valleys

  • A narrow gorge with sheer limestone walls hundreds of feet high, a shallow river running over gravel along its floor, and the top of the far wall catching warm light.
  • A wall of smooth, bulbous red sandstone formations rising directly above a green palm oasis and flat-roofed houses in the Dades valley, lit low and gold.
  • Rows of pink damask roses in flower in a field, a wicker basket of picked petals on the path between them, and the towers of an earth-built kasbah behind.
  • The earthen ksar of Aït Benhaddou floodlit against a deep blue sky after sunset, its towers reflected in the river below, with a line of stepping stones crossing the water in the foreground.
  • The blank pisé walls and battered corner towers of a kasbah in full afternoon sun, incised with geometric brickwork, storks and pigeons on the parapets.
  • A green palmery threading between black volcanic hills, with kasbahs and flat-roofed villages along its edge and a hazy plain beyond.
  • A tapering earth-built tower at dusk, its face covered in incised geometric panels, with one small window lit orange from inside and date palms on either side.

047 routes come through

The Middle Atlas & the Ziz

Cedar forest, alpine towns, and the palmery that leads you to the sand.

A Barbary macaque sitting on a moss-covered branch in a forest of tall Atlas cedars, sunlight coming through in shafts behind it.

The Middle Atlas is the part of the country almost nobody comes for and everybody remembers. It is green, it is high, and above Azrou it is covered in Atlas cedar — enormous, dark, and full of Barbary macaques who have entirely worked out what a car park means.

Ifrane, further up, has pitched roofs and a ski season, which takes most people a moment. Past Midelt the plateau opens, empties, and then drops into the Ziz: a gorge that gives out into a palmery running unbroken along the riverbed for as far as the road follows it, which is a long way.

This is the corridor every Fes-to-desert route uses, and it is the reason those routes are more interesting than the Marrakech ones.

More of The Middle Atlas & the Ziz

  • A date palmery in the Ziz valley at sunset, a concrete irrigation channel running through it, and a long red cliff face lit gold along the top.

057 routes come through

The Atlantic coast

Wind, ramparts, argan and cold water, from Essaouira up to El Jadida.

A row of green bronze cannons on stone gun carriages along a sea wall, a wave breaking over the parapet behind them and gulls turning in the spray.

The Atlantic side of Morocco runs cool and windy while the interior bakes, which is the whole reason Marrakech empties towards it every August. Essaouira is the anchor: Portuguese sea walls, a blue working harbour that still smells like one, and a medina laid out on a grid — a considerable kindness after Marrakech.

The road in from Marrakech goes through argan country, where the goats climb the trees for the fruit and the entire roadside economy is built around people stopping to look at them. North of Essaouira the coast is barely visited: Safi and its potters, the lagoon and oysters at Oualidia, and the Portuguese cistern at El Jadida, where the light comes through one hole in the roof and lands on standing water.

More of The Atlantic coast

  • Atlantic breakers driving in against the crenellated stone ramparts of a coastal town under a heavy, gold-lit sky.
  • Four goats standing in the branches of a lone argan tree beside an empty road, silhouetted against a low sun in a dust-coloured sky.
  • A dozen blue-painted wooden fishing boats hauled up on wet sand at sunset, with the ochre sea walls and whitewashed houses of the old town behind and a gull overhead.

069 routes come through

The Rif & the North

Blue lime, wet mountains, and the Mediterranean at the end of them.

A stepped alley in Chefchaouen washed in blue lime, lanterns lit at dusk, a painted blue door at the top of the steps.

The Rif is steep, green and wet, and it looks and feels nothing like the rest of the country. Chefchaouen sits in a fold of it, lime-washed blue from the doorsteps up — repainted constantly, in whatever the household could get, so it runs from near-white to something close to indigo down a single staircase.

One day there is enough to see it and not enough to be in it. Two lets you walk up to the Spanish mosque for the view back over the roofs in the morning, and out to the pools and the stone arch at Akchour in the afternoon.

North again is the Strait: Tangier, Tetouan, and a Mediterranean coast of white villages on headlands where the water is warm and the light is completely different.

More of The Rif & the North

  • A carved blue door in a blue lime-washed wall in Chefchaouen, two woven rugs hung out to air on either side, pots of geraniums on the step, and a tabby cat asleep in the last patch of sun.
  • A whitewashed terrace above the Mediterranean with a keyhole archway framing the water, and a village of white houses along the headland to the left.
  • Lit ramparts above a whitewashed medina at dusk, with ships crossing the water beyond the walls.

0732 routes come through

The imperial cities

Marrakech, Fes, Meknes, Rabat — and Volubilis, which came first.

A shaft of low sun cutting down a narrow ochre alley in a medina, catching dust in the air, with two woven rugs hung out to air along the walls.

Four cities have been the capital at different points, and all four still carry it. Fes el Bali is the largest car-free urban area in the world and does not care whether you can navigate it; Marrakech is louder, redder and easier; Meknes is Moulay Ismail’s, walled at a scale that only makes sense as a statement; Rabat is the working capital and the calmest of the four.

What they share is the madrasa — courtyards of carved cedar, stucco and zellige built around a fountain and a single tree, and among the best rooms in the country. What they do not share is atmosphere: an evening in the Marrakech souks and an evening in Fes are not the same experience, and anybody who tells you to pick one is saving you time rather than telling you the truth.

Volubilis, an hour from both Fes and Meknes, was here before any of them — a Roman town left open to the sky, with mosaic floors still where they were laid.

More of The imperial cities

  • The Koutoubia minaret above the red rooftops and palms of Marrakech at sunset, the snow line of the High Atlas along the horizon behind it.
  • The marble courtyard of a madrasa in Marrakech at low sun — carved cedar and stucco arcades above a band of zellige, and a single orange tree in fruit standing in one corner.
  • The rooftops of the Fes medina in low evening light — green-tiled roofs, two decorated minarets, and the hills of the Saïs basin beyond.
  • A pool of sunlight on the marble floor of a Fes madrasa courtyard beside a carved basin fountain, with green-and-white zellige running around the walls under stucco arches.
  • Bab Mansour in Meknes — an enormous horseshoe gate faced in green and gold zellige and carved plaster, with a lone figure walking through the arch and pigeons on the square.
  • A Roman mosaic floor at Volubilis in evening light, its geometric panels and figures still legible, with standing columns and a triumphal arch behind it.
  • A lane in the Kasbah of the Udayas at dusk — houses washed white above and blue below, a lit ochre gateway at the end of it, and the rocky estuary mouth on the right.
  • The Hassan II Mosque floodlit against a dark sky at dusk, Atlantic surf breaking along the sea wall beneath it.
  • The Hassan II Mosque in late afternoon light, its minaret standing over an almost empty stone esplanade that runs out to the Atlantic.
  • A rain-wet cobbled lane in a souk at dusk, pierced brass lanterns burning along both sides, a single figure walking away into steam at the far end.
  • A riad courtyard at blue hour: a zellige-tiled fountain lit from within, lanterns burning under horseshoe arches, an orange tree in the foreground.